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Super helpful ear training...

Kerennnn..thanks

Great lesson for getting hip sounds using pentatonic patterns. I followed everything up until the end, where he plays over Donna Lee. Some of those pentatonics, I didn't understand the connection. For example, over the F7 chord he plays E pentatonic and B pentatonic. Is that just outside shifting? It sounded great but I couldn't connect the thinking behind it. Thanks a lot!

Wow that's a great one!!!

Didn't know Patrick Mahomes knew his theory

I can't work on this kind of stuff for very long either. It would drive me nuts!

Is that really Steves horn ?

Great tutorial

I get this easily on a theoretical level....it's the applicability that stumps. Practice practice

That lick Somewhere😮, I know I'm am that licc guy

Awesome video!

Great lesson as always with Cecil.👍🎶☮️

Now I know why everyone sounds the same today

Even though it's a symmetrical scale, it's misleading, I think, to say that if you practiced your C dim scale you have also practiced your Eb dim scale. Functionally, you haven't ... just as If you spend an hour practicing the C major scale, you have NOT also been practicing your F Lydian.

Pat mahomes looking ahh

Je suis guitariste, mais tout est très bien expliqué et transposable à tous les instruments J'aurais tant aimé voir ce genre de vidéos quand j'étais jeune !...👍

Love seeing Jazz on a Jackson👌

1:32

Wouldn’t the chord/scale for CMA7 be C Lydian?

Wow great oh Yes man.

Wow, that was a good video. As someone who is working through the Jerry Coker Patterns book, I can see how all this works.

Cool phrasing. Nice.

Thanks - this sets out the basic tools very well and in an easy to follow manner. Then there are huge possibilities you have outlined here. Good one.

I cannot ever hear that Lick normally…

Simple way a guitarist might look at this is dom7 chords a minor 3rd apart are all essentially the same. Diminished harmony stuff.

Thank you! I need that.

For a Step-By-Step Guide to Jazz Ear Training with 23 Videos, Methods and Exercises: jazzlessonvideos.com/ear-training

Clea;clean;clean exellent digitation thanks.

I realized that to sound great and on time, you need to think more of word and sentences instead of letters. Then you can improvise with timing, dynamics, and word selections etc

What standard is this?

3:07

All the things....

Please validate me whether I got the concept of 'shifting with the common tone' correct (10:15). So after the first bar where Bb- pentatonic was used we encounter a wide variety of possible pentatonics to use in the second bar. According to the principle mentioned, we may take each note of Bb- pentatonic and pick up all the pentatonics which share them. Those which share Bb tone: C-, F-, G-, Eb- Those which share Db tone: C#-, F#-, Ab-, Eb- Those which share Eb tone: Eb-, C-, F-, Ab- Those which share F tone: C-, D-, F-, G- Those which share Ab tone: F-, C#-, Ab-, Eb- Altogether we got 8 pentatonics: C-, C#-, D-, Eb-, F-, F#-, G-, Ab-. So did I get it right, that after each following bar we will again have a choice, but this time out of 8 OTHER possibilities? And so on

ATTYA? Is the transcription in concert pitch?

❤

This good, well presented, information. Thanks.

Great job 😊

Just bought 100 ii V 1 turnarounds and can’t find anywhere on my iPad. Wondering if it can be sent again? So disappointed to waste practice time looking for it..

Mille mercis

You can do the same thing but with the melodic minor scale based on the v.

Nice quote from John Coltrane's "Countdown"

Any chance you have a bass clef version of this?

You are a great teacher

Theses are the changes for the B section of Bolivia right ?

Nice !

I don’t get to watch your videos often But when I do they are always very informative

Some of the best lessons on the internet. Watching from India btw

🎉 I was right with all three! 🎉 To me the dominant 7 #5 sounds brighter

You have no idea how happy I got when you used THE rhythm for G+ and A 😂😂🖤

"To make complex simple is genius , mingus"